Ylva111's Blog

Winner takes nearly all

July 10, 2017
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While The Hepworth Wakefield took the Museum of the Year Prize of £100,000, it was not quite all.  This year the Art Fund introduced a new gift for the finalists – £10,000 each.  It may not make a lot of difference to Tate Modern but for the other runners up, the Sir John Soane Museum, the Lapworth Museum of Geology and the National Centre for Horseracing and Sporting Art, it could fill a useful hole. Your blogger did not make it to Newmarket before the Prizegiving event at the British Museum at the beginning of July but having met the team at the grand event will surely make it there in the near future.

Away to Newmarket! ….was a popular invitation from both King James I and later, his son Charles I. James I had a royal palace built here and by 1610 the Court would spend several weeks a year enjoying hunting, horseracing, riding in the countryside, masques and other entertainment. It’s ironic that poor Charles I should have been arrested by Cromwell’s troops in 1647 as the Civil War came to an end and brought to Newmarket, before his execution in London.  Charles II, when restored to the throne, wasted no time in returning Newmarket’s role as the rest and recreation place for the royals (and mistresses)!  Today it is of course the centre of an important global industry, horse race breeding and training.

Back to the Hepworth

The Hepworth Gallery at Wakefield – in a most attractive building by David Chipperfield – was first shortlisted for the Museum Prize, when it opened in 2013 but missed out on the big money.  I enjoyed my visit there just over a year ago, best described as stimulating but also peaceful, inviting you to contemplate each object in the different settings created by the daring architecture. The sculptor Barbara Hepworth grew up in Wakefield, where she met her contemporary, Henry Moore, before moving to London and later St Ives.  The changing displays illustrate her life through her works.  Your blogger has mentioned before, the sculpture by Hepworth, overlooking the lake at Battersea Park, created as a model for the much larger memorial in New York to Dag Hammarskjold, the Swedish UN Secretary, who died in 1961.

More royal history in Edinburgh

On a weekend visit to Edinburgh, your blogger enjoyed the extensive exhibition “On the trail of Bonnie Prince Charlie and the Jacobites”. In fact it was well into the second half before the Bonnie Prince himself arrived but the ground had been thoroughly prepared. There were no less than five challenges to the united English/Scottish throne first occupied by the Stuarts through James I from 1603.  And it was the last of these (apart from more recent, less violent events) when the Young Pretender, born in exile, made the final Jacobite bid.  After various battles he marched South in 1746 with his troops, heading for London but halting fatally at Derby.  Lacking the expected support from French and English volunteers, Prince Charlie then turned and headed north, with the Duke of Cumberland, son of King George II and his troops hot on his heels.  The Duke became known as “the Butcher” after the terrible battle at Culloden, when the Jacobites where not just defeated but slaughtered. The Young Pretender survived, fled and hid in various places, including dressing up as a woman, before returning to France, where he declined into drunkenness and ignominy.  A sad story, well told.

On a more cheerful note…..

On a more cheerful note, don’t miss the wonderful Canaletto exhibition at the Queens Gallery, see May blog. And for a good laugh, and some thoughtful insights, explore Grayson Perry’s “most popular art exhibition ever” at the Serpentine Gallery.

More about the Museums of the Year Prize at http://www.artfund.org and more from me at my website to ylvafrench.co.uk

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Discover Venice in London

May 25, 2017
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Can’t face the thought of the summer crowds in Venice? Why not head to the Queen’s Gallery in London where Canaletto and the Art of Venice has just opened?  Mind you, there may be a few obstacles as you make your way along Buckingham Palace Road with other tourists in search of the Palace.  Passing the porticoed entrance to the Queen’s Gallery, some are tempted inside to explore the shop; others join the queue for the Gallery, sometimes in the mistaken belief that they are entering the Palace itself.

All this, as well as the entrance charge, will be worth it, however, for all lovers of Venetian art. So take your time to explore this beautifully presented exhibition which includes not just the Queen’s works by Canaletto but many works of art by his contemporaries, such as Sebastiano and Marco Ricci, Rosalba Carriera, Zuccarelli and Battista.

Who was Joseph Smith?

The common factor apart from Venice itself is Joseph Smith, who as British Consul in Venice, put together an extraordinary collection not just of paintings but also of books and prints, which was sold to King George III in 1765. As a result the Royal Collection has one of the world’s most outstanding works from this golden age of Venetian art.

The exhibition starts with two familiar views of the annual Regatta on the Grand Canal, and then explores Canalettos works from his early drawings. At the Queen’s Gallery, when it is not too busy, it’s possible to get a very close look at his skilful technique displayed from an early age.  It was this which attracted Joseph Smith to the young Giovanni Antonio Canal (1697 – 1768) later known as Canaletto.  Works by other Venetians follow – don’t miss Rosalba Carriera’s wonderful pastels of the four seasons. In the largest gallery, you can inspect the sequence of 12 paintings commissioned by Smith which takes you along the Grand Canal stage by stage.  And that’s not all, less well-known views of Roman ruins are also included in this comprehensive exhibition.

Canaletto became a favourite with the British on the Grand Tour and there are many works in collections around the country – many more than in Italy. Canaletto also spent ten years in England working for a variety of stately home owners.

The exhibition continues until November. More on http://www.royalcollection.org.uk

And more in my book….

The exhibition displays Canaletto’s work in the context of other artists in Venice at the time, many of whom were supported by Joseph Smith. In my book Finding Veronese – Memoir of a painting, I follow one of these works, a copy of a Veronese altarpiece probably by Sebastiano Ricci, and its journey across Europe from Venice to London, to Scotland and finally to Sweden.

Go to ylvafrench.co.uk to read more about Finding Veronese – Memoir of a painting, available as an E-book on Amazon.