Ylva111's Blog

Discover Venice in London

May 25, 2017
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Can’t face the thought of the summer crowds in Venice? Why not head to the Queen’s Gallery in London where Canaletto and the Art of Venice has just opened?  Mind you, there may be a few obstacles as you make your way along Buckingham Palace Road with other tourists in search of the Palace.  Passing the porticoed entrance to the Queen’s Gallery, some are tempted inside to explore the shop; others join the queue for the Gallery, sometimes in the mistaken belief that they are entering the Palace itself.

All this, as well as the entrance charge, will be worth it, however, for all lovers of Venetian art. So take your time to explore this beautifully presented exhibition which includes not just the Queen’s works by Canaletto but many works of art by his contemporaries, such as Sebastiano and Marco Ricci, Rosalba Carriera, Zuccarelli and Battista.

Who was Joseph Smith?

The common factor apart from Venice itself is Joseph Smith, who as British Consul in Venice, put together an extraordinary collection not just of paintings but also of books and prints, which was sold to King George III in 1765. As a result the Royal Collection has one of the world’s most outstanding works from this golden age of Venetian art.

The exhibition starts with two familiar views of the annual Regatta on the Grand Canal, and then explores Canalettos works from his early drawings. At the Queen’s Gallery, when it is not too busy, it’s possible to get a very close look at his skilful technique displayed from an early age.  It was this which attracted Joseph Smith to the young Giovanni Antonio Canal (1697 – 1768) later known as Canaletto.  Works by other Venetians follow – don’t miss Rosalba Carriera’s wonderful pastels of the four seasons. In the largest gallery, you can inspect the sequence of 12 paintings commissioned by Smith which takes you along the Grand Canal stage by stage.  And that’s not all, less well-known views of Roman ruins are also included in this comprehensive exhibition.

Canaletto became a favourite with the British on the Grand Tour and there are many works in collections around the country – many more than in Italy. Canaletto also spent ten years in England working for a variety of stately home owners.

The exhibition continues until November. More on http://www.royalcollection.org.uk

And more in my book….

The exhibition displays Canaletto’s work in the context of other artists in Venice at the time, many of whom were supported by Joseph Smith. In my book Finding Veronese – Memoir of a painting, I follow one of these works, a copy of a Veronese altarpiece probably by Sebastiano Ricci, and its journey across Europe from Venice to London, to Scotland and finally to Sweden.

Go to ylvafrench.co.uk to read more about Finding Veronese – Memoir of a painting, available as an E-book on Amazon.


Five in the running for the Art Fund Prize

May 1, 2017
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It was good news for the five finalists of this year’s Art Fund Museum of the Year Prize; they will all get £10,000 each. And of course one of them will get the full £100,000.  Which one you may ask yourself, looking down the list.  Here is your blogger’s summing up.  (The prize winner will be announced on 5 July.)

Chance for two smaller museums

There was complete silence when the first finalist was announced – the Lapworth Museum of Geology – noone in that audience except possibly the curator had heard of it. But now they will, after a £2.7m refit this treasure trove of gemstones and other minerals at Birmingham University will be in the national spotlight for the first time.

It was different for the National Heritage Centre for Horseracing and Sporting Art at Newmarket – the audience at the British Museum certainly knew this one (whether for the right reasons is another matter). The museum re-opened last year with new galleries and a centre for retraining racehorses.

And then the big runners

The Sir John Soane Museum, now in two buildings in London’s Lincoln Fields, is loved by many.  It has extended its displays by recreating some of Soane’s original rooms as they were in 1837 when he died. The only problem here is that there is not a lot of space for increasing the visitor flow.

At the Hepworth in Wakefield which your blogger visited just a year and a half ago, it’s all go with their own new Sculpture prize and new exhibitions. It was on the Museum Prize Shortlist when it first opened in 2012, and was pipped to the post by the Royal Albert Museum in Exeter.  Will they be lucky this time and bag the big prize?

And then Tate Modern – it couldn’t very well be left out after the opening of the magnificent Switch House. It blends perfectly with the old power station and adds space for new works as well as for those previously in storage.

The debate on Front Row

The shortlist was announced at a special event (live on BBC’s Front Row) at the British Museum with Hartwig Fisher, Director of BM and also on the judging panel for the Prize, joined by Tristram Hunt, former MP and recently appointed Director of the V&A and Sarah Munro of the Baltic. Stephen Deuchar, Director of the Art Fund also got a few words in.  Some old chestnuts, such as the Elgin Marbles, free versus charging museums and more children in museums were quickly dispatched.  The focus was on the dramatic impact of local authority cuts on museums around the country.  The two national museums on the panel were doing their bit to ease the pain with a new V&A  scheme establishing design hubs around the UK and at the BM lending objects and touring exhibitions.

Your blogger had a quick chat with another Scandinavian afterwards – former Museum Prize judge and Antiques Roadshow expert, Lars Tharp – who revealed that he descended from King Christian IV of Denmark. “But so does half of Denmark”, he added.  (According to Wikipedia Christian IV had a total of 24 known children with his two wives and several mistresses.)

Read more about my Swedish family history (no royal links I am afraid) and my other books including Finding Veronese and the newly launched The Go Around both available as E-books on Amazon at http://www.ylvafrench.co.uk